Shooting a Sci-fi Thriller Guerilla Style - Part 1

This past May, I took on the challenge of making a new short film. It had been three years since I last directed a narrative film. I was itching to get back into some of my own creative work. Intrigued by the idea of making a really short film, I took on the challenge of being the director and cinematographer for this new project called “Stop.”

Here is the teaser trailer for the film, which will be released on the web on June 24:

Technicolor and DSLR Filmmaking

In my last post, I talked a little about Canon's announcement that Technicolor would be releasing a custom-made Picture Style for Canon DSLRs specifically designed for HD video shooting. The idea is basically to shoot with a flatter, less contrasty picture setting so as to acquire as much information as possible since the camera will significantly compress the video information before writing it to CF or SD cards. Why do this? So you have as much detail to work with when you are ready to color correct your footage. This is something that much nicer, higher end cameras like the RED cameras, the Arri Alexa, or Arri  D21 allow for as they can record or output uncompressed signals.

Micro Budget Features and Film Festivals

Probably one of the most daunting things any independent filmmaker has to deal with is finding funding for projects. This is why many new filmmakers opt to make what I would call micro budget features (films with production budgets in the tens of thousands). I've done several short films to date, and all of those have been projects that my fellow producer Andrew Gilbert and I have funded ourselves. I would definitely classify them as micro budget shorts. But you can do that with short films. Most often the main expenses are some rented gear, a location or two, and food. Everything else is either borrowed, donated, or deferred. In our case, we've done a lot of deferred deals with cast and crew looking to gain more experience in filmmaking. In those cases, the act of being involved in the project tends to be payment enough with the added bonus that should the film manage to turn a profit, there could be some payment down the road. 

But what about feature films? Can you do this with features?