As promised in part 1 of this series, I want to explore in more depth the use of Magic Lantern firmware for Canon DSLR cameras as well as Technicolor’s CineStyle specifically designed for use in Canon DSLR cameras. In May, I show a new short film called “Stop.” It is a a sci-fi thriller, and I opted to shoot with a minimal crew and do the cinematography and directing myself. There are new tools that open up new possibilities for DSLR filmmakers. So read on, and find out what I learned about using these tools in conjunction with my Canon T2i.
Showing posts with label T2i. Show all posts
Showing posts with label T2i. Show all posts
Monday, July 11, 2011
Friday, June 10, 2011
Shooting a Sci-fi Thriller Guerilla Style - Part 1
This past May, I took on the challenge of making a new short film. It had been three years since I last directed a narrative film. I was itching to get back into some of my own creative work. Intrigued by the idea of making a really short film, I took on the challenge of being the director and cinematographer for this new project called “Stop.”
Here is the teaser trailer for the film, which will be released on the web on June 24:
Monday, May 2, 2011
Technicolor and DSLR Filmmaking
In my last post, I talked a little about Canon's announcement that Technicolor would be releasing a custom-made Picture Style for Canon DSLRs specifically designed for HD video shooting. The idea is basically to shoot with a flatter, less contrasty picture setting so as to acquire as much information as possible since the camera will significantly compress the video information before writing it to CF or SD cards. Why do this? So you have as much detail to work with when you are ready to color correct your footage. This is something that much nicer, higher end cameras like the RED cameras, the Arri Alexa, or Arri D21 allow for as they can record or output uncompressed signals.
Labels:
5D,
7D,
Alexa,
Arri,
ASA/ISO,
camera,
Canon,
cinematography,
color correction,
digital cinematography,
DSLR,
filmmaking,
HD,
Magic Lantern,
micro budget,
Picture Styles,
RED One,
T2i,
Technicolor
Friday, February 4, 2011
Favorite Video Projects of 2010
2010 was busy year for me on the freelance video production side of things. It was also a year new things both in terms of types of videos and in terms of starting to shoot a lot of material on DSLR cameras. Here's a quick look through some highlights of projects I worked on in 2010 in my freelance video work.
Labels:
2.35:1,
AOL,
Boston,
Canon,
cinematography,
Demo Reel,
digital cinematography,
director of photography,
DSLR,
editing,
Final Cut Pro,
freelance,
Sony,
T2i,
videography
Friday, May 14, 2010
7D and T2i Cinematography
Okay, let’s talk narrative filmmaking with these new DSLR cameras. You may be hearing a lot about the great video capabilities of DSLR video cameras like the Canon 5D, 7D and T2i (aka 550D in the Rebel line), as well as such cameras from Nikon and Panasonic. But how do these cameras really perform when it comes to the careful art of cinematography?
Labels:
7D,
Canon,
cinematography,
digital cinematography,
director of photography,
DSLR,
lens adaptor,
Pork Chop Night,
T2i,
Torn
Subscribe to:
Posts (Atom)