Recently, I was reflecting on films the have profoundly changed or redefined how I watch movies and approach filmmaking. I thought it would be interesting to assemble a list of the films that have been of most impact for me. So here is a dozen films, and reason why. But being a person that has a hard time making lists of such things, I hesitate to call these the definitive top twelve movies that have changed me. The top six certainly have been of such deep and lasting impact to me that I feel confident in listing them in such high ranks, and have indicated in italics the prime reason I feel they have been of such formative influence on me as a film viewer and filmmaker. There are, of course, a vast number of notable films that did not make it on to this list. That is not to say I haven't found profound value in them. But I thought I would put this out here for discussion and further exploration.
Showing posts with label Casablanca. Show all posts
Showing posts with label Casablanca. Show all posts
Sunday, June 12, 2011
Saturday, August 2, 2008
Character: From Concept to Execution
So you want to tell a story? But what is it about? Sure, you can give me the basic pitch and toss out the usual “it’s Speed 2 meets Casablanca ,” but what is your story really about. I’ll give you a hint: people. Stories are ultimately about characters. And the truly lasting stories are ones with beautifully crafted characters. It’s the human connection that is needed (even if you’re characters aren’t human, as in the best film I’ve seen so far this year, Wall-E).
Wednesday, February 13, 2008
Once
Once in a while, a film comes along that holds a power over me I can’t quite describe. Such films tend to deeply influence me as a filmmaker. I think of Terrence Malick’s The Thin Red Line, Todd Field’s In the Bed Room, Elia Kazan’s On the Waterfront, Michael Curtiz’s Casablanca, Kiyoshi Kurosawa’s Cure, and Andrei Tarkovsky’s Solaris (that’s the original, not the Soderbergh remake, which I admittedly haven’t had the heart to watch yet). These are films that unexpectedly floored me. Some grew on me slowly, and I kept coming back to them and re-watching them because scenes kept getting stuck in my head and playing there in the background of my mind. That was the case with The Thin Red Line, one of the few remakes that is simply astounding, and completely overshadows the original. In other cases, I walked into something I knew nothing of, as is the case with In the Bedroom and Solaris. These films, and many others not mentioned here, reached inside and touched aspects of my personality, my spirituality, that have affected me ever since.
Labels:
Casablanca,
Cure,
HD,
In the Bedroom,
John Carney,
low budget,
musical,
On the Waterfront,
Once,
Solaris,
The Thin Red Line
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